‘Hunger Games’ feasts, ‘Napoleon’ conquers but ‘Wish’ doesn’t come true at Thanksgiving box office

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NEW YORK (AP) — The Walt Disney Company’s “Wishing” was expected to rule the box office this Thanksgiving weekend, but moviegoers are eating leftovers instead. “The Hunger Games: The Ballad of Songbirds and Serpents.” It led ticket sales for its second weekend, according to studio estimates on Sunday.

Both of the weekend’s top new releases — “Wish” and Ridley Scott’s “Napoleon” — can’t keep up with Lionsgate. “Hunger Games” prequel. later Last weekend at $ 44.6 millionReturn to Panem was the biggest hit for holiday moviegoers, earning $28.8 million over the weekend and $42 million over the five-day holiday.

In its two weeks of release, “Songbirds and Snakes” has grossed nearly $100 million domestically and $200 million worldwide.

It was a very close race for second place, where “Napoleon” “Wish” narrowly won. The Scott epic will take in $32.5 million over the five-day weekend and surpass its Friday-Sunday estimate of $20.4 million. The film, starring Joaquin Phoenix as the French emperor and Vanessa Kirby as his wife Josephine de Beauharnais, was the top film worldwide with $78.8 million.

Reviews were mixed (61% fresh on Rotten Tomatoes) and ticket buyers were underwhelming (“B-” CinemaScore), but “Napoleon” fared much better in theaters than its Waterloo title.

“Napoleon” as Martin Scorsese “Killers of Flower Moon” Apple Studios’ streaming bloat is a big-budget expression of Hollywood’s ambitions. With an estimated budget of 200 million dollars, “Napoleon” may still have a long way to reach profitability for Apple, who has partnered with Sony to distribute “Napoleon” in theaters. But it’s an undeniably strong start to the 168-minute historical drama for adults.

“Wish,” however, should have had a more starry-eyed beginning. Disney animations, such as “Frozen II” ($123.7 million in five days in 2019), “Ralph Breaks the Internet” ($84.6 million in 2018) and “Coco” ($71 million in 2017), have often owned a Thanksgiving movie.

But “Aspirations” wobbled, coming in with $31.7 million in five days and $19.5 million Friday through Sunday. It grossed $17.3 million worldwide. It was estimated to be around $50 million.

“Aspirational,” at least, is better than last year’s Disney Thanksgiving release: 2022’s “Alien.” It was a five-day bomb that opened at $18.9 million. But there was hope for “Wish,” co-written and co-directed by the “Frozen” team of Chris Buck and Jennifer Lee and the voices of Ariana DeBos and Chris Pine. “Wish,” a tale centered around a coveted star, is also a celebration of Disney itself, the studio’s 100th anniversary, and full of callbacks to Disney favorites.

Critics were not impressed, saying it felt “ambitious.” More like marketing than movie magic. So rather than recap what has been an up-and-down year for Disney, “Wish” will, for now, add to some of the studio’s recent headaches; “The Marvels” underperformed. The Marvel sequel dropped to $76.9 million domestically and $110.2 million overseas in three weeks.

“Wish” faces direct competition for families in “Trolls Band Together.” The DreamWorks and Universal Pictures release opened a week ago, and took in $17.5 million in its second frame ($25.3 million in five days).

“‘Wish’ enters a more competitive market than Disney might normally see in the Thanksgiving aisle,” said Paul Dergarabedian, senior media analyst at ComScore. “We’re used to seeing those Disney movies at the top of the charts. They had to divide the audience into ‘trolls’.

Still, the history book has yet to be written on “Aspiration.” It may have followed the lead of Pixar’s “Elemental,” which debuted with $29.6 million in June, but found its legs and ended up grossing nearly $500 million worldwide.

There was also a wide release going into the holiday weekend. Emerald Fennel “Saltburn” The writer-director’s supervision 2020’s “Promising Young Woman.” After playing in seven packed theaters last weekend, “Saltburn” earned $3.1 million in five days for Amazon and MGM. As an Oxford student, Barry Keoghan befriends a wealthy classmate (Jacob Elordi) and is invited to his family’s country home.

As Hollywood awards season approaches (Netflix launched Bradley Cooper “Maestro” in select theaters but did not report earnings), focus features “Captured” It continues to be one of the best choices in cinemas. Alexander Payne’s film Paul Giamatti, starring as a boarding school teacher, earned $3.8 million over the five-day weekend. It earned $12.9 million in five weeks.

Ticket sales totaled $172 million at U.S. and Canadian theaters over the five-day holiday weekend, according to Comscore. That’s up significantly in recent years, but behind the typical pre-pandemic Thanksgiving weekend. (In 2019, sales topped by “Frozen 2” exceeded $262 million.)

Estimated ticket sales Friday through Sunday at U.S. and Canadian theaters, according to ComScore. Final domestic figures will be released on Monday.

1. “Hunger Games: The Ballad of Horned Birds and Snakes”, $28.8 million.

2. “Napoleon” 20.4 million dollars.

3. “Wish”, 19.5 million dollars.

4. “Trolls Band Together,” $17.5 million.

5. “Thank you” 7.2 million dollars.

6. “The Marvels”, $6.4 million.

7. “The Holdovers”, $2.8 million.

8. “Taylor Swift: Eras Tour,” $2.3 million.

9. “Five Nights at Freddy’s,” $1.8 million.

10. “Saltburn,” $1.7 million.



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